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Although this account can barely scratch the surface of his achievements, he left behind little of what might be called his own music. Apart from The Lonely Surfer, and the soundtracks, there is only a neglected orchestral album from 1973, titled St Giles Cripplegate, after the City of London church in which it was recorded. But his work in all idioms was invariably marked by imagination and intelligence, and at a time when pop music was a hot rod moving up through the gears, he was one of those who kept its axles greased.

The film's first screenwriter, Lawrence Hauben , introduced Douglas to the work of Miloš Forman , whose 1967 Czechoslovak film The Firemen's Ball had the sort of qualities they were looking for. Forman flew to California and went through the script page by page and outlined what he would do, in contrast with other directors who had been approached who were less than forthcoming. Saul Zaentz, a voracious reader, felt an affinity with Kesey, and so after Hauben's first attempt he asked Kesey to write the screenplay, and promised him a piece of the action, but it didn’t work out and ended in a financial dispute. [4]

Crime, punishment and the gritty gray areas in between fuel an exciting March Twilight Time gangland of four tough, terrific movies. The earliest of the quartet marks three firsts: Marilyn Monroe in a marquee-topping dramatic role, the Hollywood helming debut of a future suspense/horror specialist, and the initial movie appearance of another formidable acting talent, Anne Bancroft. Another marks the [...]

10. 2001: A Space Odyssey (1968) - Various
If you hear ''The Blue Danube'' without immediately picturing gleaming spacecraft doing cosmic cartwheels, you have far greater powers of dissociation than we do. Or maybe you're just one of the few who has never seen Stanley Kubrick's sci-fi classic and had your classical-loving world rocked by his marriage of 19th-century music and 21st-century imagery. When Kubrick dumped the score he'd commissioned from Alex North and decided to use his own temp track as soundtrack to ''the ultimate trip,'' he ensured that few would ever again listen to ''Also Sprach Zarathustra'' without thinking of space babies.

11. Oklahoma! (1955) - Rodgers and Hammerstein
The classic Rodgers and Hammerstein song score had already won America's heart via a Broadway cast album. But it got sun-drenched and bronzed when director Fred Zinnemann chose to shoot the film on location (in Arizona). Audiences who wanted a souvenir of the CinemaScope-size movie got a grand one in this album, which happened to sound, yes, as big as all outdoors. ''Oh, What a Beautiful Mornin','' surreys, fringe, friendly farmers, a state anthem so rousing it almost makes our national one seem somnolent -- all this glorious Americana takes us on location, in our imaginations, each time we listen anew.

12. The Harder They Come (1973) - Various
This vital compilation introduced most Americans to reggae music, and for that alone it deserves our lofty ranking. But ''Harder'''s relevance isn't merely historical. Nearly 30 years after its release, the soundtrack remains one of the few non-Bob Marley albums to make it into the collections of casual reggae fans. And it's no mystery why; these 12 tracks -- featuring Jimmy Cliff's spiritual and sweet ''Many Rivers to Cross,'' the rude-boy menace of his title track, and the Maytals' ''Pressure Drop'' -- are as heartfelt and urgent (in their own gentle, loping way) as anything coming out of the States at the time.

13. Psycho (1960) - Bernard Herrmann
According to composer Bernard Herrmann, Alfred Hitchcock's instructions were simple: ''Do what you like, but only one thing I ask of you: Please write nothing for the murder in the shower. That must be without music.'' Herrmann was an independent cuss, thank God. The harpy chorus of violin shrieks that accompany Marion Crane's death changed the art of scoring as surely as ''Psycho'' altered film history. But for proof of his greater subtlety, listen to the music during the heroine's earlier flight from the law. It's not so much foreboding as sad -- mourning Crane even as she caroms toward her fate.

14. Snow White and The Seven Dwarfs (1937) - Frank Churchill/Larry Morey
The song score for Walt Disney's first full-length animated feature wasn't dopey or sleepy, just exemplary. Bonus points for history making: It was the first real soundtrack album ever. Prior to this, no one had taken the actual soundtrack from a film and transferred it to disc -- or discs, we should say, since the original release was on a set of three 10-inch 78s. Someday more princely formats would come, but there's a good reason why this chestnut is perennially in print: The Frank Churchill-Larry Morey tunes proved an original 'toon could equal or better Broadway's musical-comedy best.

15. American Graffiti (1973) - Various
Believe it or not, kids, there was a time when ''oldies'' weren't cool. That was still the case in '73, when George Lucas asked ''Where were you in '62?'' and helped popularize the notion of nostalgia for the recent past. He even invented a plausible reason for the film's wall-to-wall music, a then-revolutionary conceit: Nearly every character was near a radio tuned to Wolfman Jack. Thus it came to be that a generation of Vietnam-hardened hippies was suddenly grooving to ''Green Onions,'' turning a double album full of artists who'd been bypassed by the counterculture into an unlikely retro smash.

16. Vertigo (1958) - Bernard Herrmann
17. Trainspotting (1996) - Various
18. My Fair Lady (1964) - Various
19. Gone With the Wind (1939) - Max Steiner
20. Mary Poppins (1964) - Richard and Robert Sherman

21. Once Upon a Time in the West (1968) - Ennio Morricone
22. Pat Garrett & Billy the Kid (1973) - Bob Dylan
23. Pinocchio (1940) - Leigh Harline and Ned Washington
24. Goldfinger (1964) - John Barry
25. Singin' In the Rain (1952) - Arthur Freed and Nacio Herb Brown
26. Star Wars (1977) - John Williams
27. Grease (1978) - Various
28. Pulp Fiction (1994) - Various
29. Doctor Zhivago (1965) - Maurice Jarre
30. The Rocky Horror Picture Show (1975) - Richard O'Brien

31. Easy Rider (1969) - Various
32. Ben-Hur (1959) - Miklos Rozsa
33. Help! (1965) - The Beatles
34. Bride of Frankenstein (1935) - Franz Waxman
35. Performance (1970) - Jack Nitzsche
36. The Band Wagon (1953) - Arthur Schwartz and Howard Deitz
37. Chinatown (1974) - Jerry Goldsmith
38. Cabaret (1972) - John Kander and Fred Ebb
39. King Kong (1933) - Max Steiner
40. Shaft (1971) - Isaac Hayes

41. Lawrence of Arabia (1962) - Maurice Jarre
42. Carousel (1956) - Rodgers and Hammerstein
43. The Pink Panther (1964) - Henry Mancini
44. Anatomy of a Murder (1959) - Duke Ellington
45. Let It Be (1970) - The Beatles
46. Fantasia (1940) - Various
47. The Magnificent Seven (1960) - Elmer Bernstein
48. Meet Me In St. Louis (1944) - Hugh Martin and Ralph Blaine
49. The Adventures of Robin Hood (1938) - Erich Wolfgang Korngold
50. Oliver! (1968) - Lionel Bart

51. The Sting (1973) - Marvin Hamlisch
52. Funny Girl (1968) - Walter Scharf and Julie Styne
53. Jaws (1975) - John Williams
54. Woodstock (1970) - Various
55. The Music Man (1962) - Meredith Willson
56. O Brother, Where Art Thou? (2000) - Various
57. Amadeus (1984) - Various
58. The King and I (1956) - Rodgers and Hammerstein
59. Beat Street (1984) - Various
60. The Man With the Golden Arm (1955) - Elmer Bernstein

61. The Mission (1986) - Ennio Morricone
62. Pretty in Pink (1986) - Various
63. Taxi Driver (1976) - Bernard Herrmann
64. The Last Waltz (1978) - The Band
65. Jailhouse Rock (1957) - Leiber and Stoller/Elvis Presley
66. Singles (1992) - Various
67. Manhattan (1979) - George Gershwin
68. South Park: Bigger, Longer and Uncut (1999) - Trey Parker and Marc Shaiman
69. Magnolia (1999) - Aimee Mann
70. Spartacus (1960) - Alex North

71. Pump Up the Volume (1971) - Various
72. Ragtime (1981) - Randy Newman
73. Tommy (1975) - Pete Townshend/Various
74. The Moderns (1988) - Mark Isham
75. Repo Man (1984) - Various
76. A Clockwork Orange (1971) - Walter Carlos
77. The Sweet Hereafter (1997) - Mychael Danna
78. Out of Africa (1985) - John Barry
79. Stop Making Sense (1984) - Talking Heads
80. Beauty and the Beast (1991) - Howard Ashman and Alan Menken

81. Local Hero (1983) - Mark Knopfler
82. Do the Right Thing (1989) - Branford Marsalis/Public Enemy
83. Crouching Tiger, Hidden Dragon (2000) - Tan Dun
84. Rushmore (1998) - Various
85. Merry Christmas, Mr. Lawrence (1984) - Ryuichi Sakamoto
86. This Is Spinal Tap (1984) - Spinal Tap
87. The Long Riders (1980) - Ry Cooder
88. Waiting to Exhale (1995) - Babyface/Whitney Houston
89. Jackie Brown (1997) - Various
90. To Kill a Mockingbird (1962) - Elmer Bernstein

91. Hedwig and the Angry Inch (2001) - John Cameron Mitchell
92. The Piano (1993) - Michael Nyman
93. The Virgin Suicides (2000) - Air
94. Planet of the Apes (1968) - Jerry Goldsmith
95. Good Will Hunting (1997) - Danny Elfman/Elliot Smith
96. Above the Rim (1994) - Various
97. Nashville (1975) - Various
98. Beetlejuice (1988) - Danny Elfman
99. One From the Heart (1982) - Tom Waits/Crystal Gayle
100. Blue Velvet (1986) - Angelo Badalamenti

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